A youthful Virgin Mary looks tenderly down at her son, the infant Christ Child, wriggling on her lap. ‘The Virgin and Child with Saint John the Baptist’ was created in 1635 by Eustache Le Sueur in Baroque style. Antonia Correggio reflected the historical context of the renaissance by using the periods work of religious themes found in the Madonna, the Christ Child and a young John the Baptist. [5] It is sometimes still known as "The Burlington House Cartoon", in reference to the building housing the Royal Academy. The Virgin and Child with Saint Anne and Saint John the Baptist, sometimes called The Burlington House Cartoon, is a drawing by Leonardo da Vinci. His opinion was corroborated by Antonino Santangelo, who said, "one can recognize the direct intervention on the painting by Botticelli". Sandro Botticelli and Workshop (Italian, 1444/45-1510) Italy, 15th century. A painting based on the cartoon was made by a pupil of Leonardo, Bernardino Luini, and is now in the Biblioteca Ambrosiana, Milan. In 1519 he married Girolama Francesco di Braghetis, also of Correggio and died in 1529. The as yet not biographically documented artist with the notname “Tommaso” was a Florentine painter from the studio of Lorenzo di Credi. The lighting indicates that there are two protagonists, and two supporting cast in the scene that the viewer is witnessing. 266, n. 1354. Print artworks available in our catalogue in high quality and your preferred size and finish. 4, 12 n. 14, identifies Memling's panels depicting Saints John the Baptist and Lawrence (National Gallery, London) as the wings of his Uffizi Virgin and Child and notes that Fra Bartolomeo enlarged the water mill depicted in Memling's painting when he borrowed it for the MMA work. Its origin goes back to the hieratic representations of the High Middle Ages where Mary, crowned, enthroned or standing, presents the divine infant in her arms. These cookies store the preferences and other information of the user. He was influenced by the classicism of authors like Lorenzo Costa and Francesco Francia which can be found in his early paintings. [3], In fact, it is possible to list at least a dozen productions by Botticelli, all of the last decade of the century, similar in composition to the work of MASP, the closest being the tondo that is conserved at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, identical to the title of this work and also dated around 1490. Núm. In this period Correggio paints his beautiful painting “Virgin and child with the young saint John the Baptist.” It is a painting on oil on panel Italian circa. Gazette des beaux-arts, 6th ser., 123 (January 1994), pp. The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio (Bartolomeo di Giovanni or Raffaelino di'Carli). If you have linked your Google Analytics and Google Ads accounts, Google Ads website conversion tags will read this cookie unless you opt-out. Museo Nacional del Prado, Museo del Prado. Roberto Longhi believes that the drawings of the landscape and the Infant Saint John the Baptist are more typical of Ghirlandaio and proposes the name of Bartolomeo di Giovanni – disciple of both painters – as a possible contributor to the implementation of the Botticelli tondo. Scholars This cookie is used by Google Analytics. Because of its large size and format the drawing is presumed to be a cartoon for a painting. [2], The MASP painting is unanimously dated in the last decade of the 15th century, based on similarities with other works from this period, in which one perceives a change in pictorial style of the author. The composition of this painting is constructed along diagonals and the Virgin’s serene bearing contrasts sharply with Christ’s animated, twisting pose. Antonio Correggio was an enigmatic and eclectic painter. The Madonna is in the center of the painting thereby catching the eye of the person looking at the painting. In the second decade of the 16th century, Lorenzo di Credi increasingly began delegating the work in his studio to his pupils and partners, with “Tommaso” specialising in the creation of small-format works for private patrons. Oil on wood. There is a subtle interplay between the gazes of the four figures. Virgin and Child with the Young Saint John the Baptist . Virgin and Child with the Young Saint John the Baptist. It currently hangs in the National Gallery in London. The colouring is rich and intense – the vibrant red of the Virgin’s dress juxtaposed with the deep blue of her cloak – and Castello’s brushwork is spirited and free, especially in the white cloth on which Christ sits, with its folds highlighted with impastoed strokes.

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