POMONA AND VERTUMNUS. Claudel decided that her first major project would be an ambitious piece celebrating the triumph of love. [9], Claudel's plaster sculpture may have been influenced by Rodin's 1882 sculpture The Kiss (Le baiser) and his c.1884 Eternal Springtime (L'Éternel Printemps), but in turn it inspired Rodin's 1890-93 sculpture The Eternal Idol (L'Eternelle idole), and there are further echoes in his 1889 L'homme et sa pensée. Inspired by an Indian play about Sakuntala’s reunion with her husband after a long separation caused by a magic spell, the work was first modelled in plaster circa 1886. (#221761) Full of intensity and emotion, this group is a marvel of affection and modest sensuality. Sakuntala, also known as Sakountala or Çacountala , is a sculpture by the French artist Camille Claudel, made in several versions in different media from 1886, with a marble version completed in 1905, and bronze castings made from 1905. One of the 62 cm (24 in) large bronze casts (#8) was acquired by the French state in 1907 and assigned to the Musée de Cambrai  [fr]. Claudel donated the plaster version to the Musée Bertrand [fr] in Châteauroux in 1895. He eventually refused to marry her, reluctant to end his long-term relationship with Rose Beuret, mother of his son and later his wife. A terracotta study c.1886 is held by the Musée d'Orsay in Paris, an 1888 completed plaster version is held by the Musée Bertrand [fr] in Châteauroux,[1] a marble version completed in 1905 and renamed Vertumnus et Pomona is held by the Musée Rodin in Paris, and several bronzes were cast for Eugène Blot [fr] from 1905 entitled L'Abandon ("The Abandonment"). It was retitled Vertumnus and Pomona, referring to the characters from Greek mythology, Pomona and Vertumnus, whose tale is recounted in Ovid's Metamorphoses. Passion and desire are expressed with propriety and restraint. Die Aufgabe, oder Vertumnus und Pomona, oder Sakountala, 1905 (Marmor) (siehe auch 82895) von Camille Claudel als hochwertigster Kunstdruck nach Ihren Wünschen gefertigt. 14,622-771) met. [4], Claudel started on the work c.1886, with two designs in terracotta, and a third (now lost) probably in clay or plaster. This love triangle, and an abortion in 1892, caused a separation between Claudel and Rodin, but they remained on reasonable terms until 1898, when she moved away and opened her own studio. Wir verkaufen keine Massenware, sondern produzieren mit Liebe zum Detail individuell gefertigte Meisterwerke. Blot intended to make and sell dozens of copies, with a planned edition of 25 large casts (of which only 18 numbered casts were made up to 1937) and 50 small casts (of which 14 are known). These terracotta studies were sold in 2017, with one bought by the Musée d'Orsay in 2017 for €467,800,[5] and the second sold for €65,000. Once, when the kings of the Silvian House reigned over the Latin people, there lived a nymph whose name was Pomona. (#187745) The sculpture depicts a young couple, with a kneeling man embracing a woman leaning towards him. [10], In a 1988 biography of Rodin, Claudel's brother Paul Claudel was quoted as saying, "In my sister's group, spirit is of the essence: the man on his knees; he is pure desire, his face lifted, yearning, clasping that which he does not dare to seize, this marvellous being, this sacred flesh which, at some higher level, has been bestowed on him. [15], Teracotta study, c.1886, exhibited at Roubaix, Vertumnus and Pomona, marble, 1905, Musée Rodin, Rodin, L'Eternelle idole, marble, Musée Rodin, 1890-1893, "Shakuntala (Vertumnus and Pomona)1905 by Camille Claudel", "Vertumnus and Pomona: Camille Claudel (1864 -1943)", "1886 - 1893 : Rodin and Camille Claudel: a tumultuous love affair and an impassioned, intense artistic dialogue", "1881-1885 : L'arrivée à Paris et la rencontre avec Auguste Rodin, un tournant décisif", "Camille CLAUDEL Fère-en-Tardenois, 1864 - Montfavet, 1943 Etude II pour "Sakountala", circa 1886", "Camille Claudel: Etude II pour Sakountala", "The Sensual World: Camille Claudel's Sculptures Was Sold For Record Amount", "Camille CLAUDEL Fère-en-Tardenois, 1864 - Montfavet, 1943 Etude I pour "Sakountala", circa 1886", "Camille Claudel: L'Abandon (Sakountala)", "Impressionist/Modern Evening Sale, London", "Camille Claudel Sculptures Smash Auction Records in Paris, Cementing Her Legacy as More Than Rodin's Muse", "Camille Claudel (1864-1943) L'Abandon, grand modèle, circa 1886", https://en.wikipedia.org/w/index.php?title=Sakuntala_(Claudel)&oldid=938701698, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 February 2020, at 21:23. She never went near the springs, or lakes, or rivers, nor near the wild woods; she cared only for places where grew trees that were laden with fruits. 14,698-764: Iphis und Anaxarete met. poma, -orum ~ Obst), hat nichts mit Männern im Sinn, denen … Pomona war die römische Göttin der Baumfrüchte. VERTUMNUS AND POMONA. In 1952, Paul Claudel donated this marble sculpture to the Musée Rodin.[2]. Pomona fenced her garden so the rude young men couldn't trample her plants and vines. One of the large bronze casts (#2) was sold at Christie's in 2013 for £1,071,650,[12] and another (#15) was put up for sale Sotheby's in 2014. Blot exhibited a cast in December 1905 alongside other Claudel works that Blot had cast in bronze, including her Entreaty in two sizes, Perseus and the Gorgon, Dream by the Fire, Fortune, Intimacy, The Old Woman, The Mermaid, The Waltz and The Gossips. The large work measured 190 cm × 110 cm × 60 cm (75 in × 43 in × 24 in), and was a critical success when exhibited at the Salon des Artistes Français in 1888, winning an honourable mention, but no commission to create a bronze or marble version was forthcoming. Vertumnus and Pomona 1905 Marble, height 92 cm Musée Rodin, Paris: Even as she collaborated on Rodin's major commissions in the studio, Claudel continued her own creative work, which the master supported and attempted to promote. CLAUDEL, CAMILLE View Title Vertumnus and Pomona, front view Creator/Culture artist: Camille Claudel (French, 1864-1943) Site/Repository Paris, Musee Rodin Period/Date 1888 Legacy Media/Technique Marble Dimensions 91_x 80_x 42_cm. Claudel decided that her first major project would be an ambitious piece celebrating the triumph of love. More casts were made later by the Valduani and Delval foundries. Pomona, eine passionierte Gärtnerin (lat. The patinated plaster won Claudel a honourable mention at the Salon des Artistes Français. Sakuntala, also known as Sakountala or Çacountala , is a sculpture by the French artist Camille Claudel, made in several versions in different media from 1886, with a marble version completed in 1905, and bronze castings made from 1905. Es zeigt ein junges Liebespaar mit einem knienden Mann, der eine sich zu ihm herabneigende Frau liebkost. The completed sculpture, in white marble on red marble base, was completed in 1905 and measures 91 cm × 80.6 cm × 41.8 cm (35.8 in × 31.7 in × 16.5 in). 14,765-771: Pomona gibt sich Vertumnus hin. Even as she collaborated on Rodin's major commissions in the studio, Claudel continued her own creative work, which the master supported and attempted to promote. You can understand how tired I am: I regularly work 12 hours a day, from 7 in the morning until 7 in the evening, and when I get home, it's impossible for me to remain standing and I go directly to bed. Ein Fest der Pomona ist in den Kalendern nicht belegt, es gab aber einen Flamen der Pomona, den Flamen Pomonalis, einen der zwölf flamines minores, was sowohl für Alter als auch Bedeutung des Kultes spricht. The bronze, cast by Eugène Blot, was shown the same year at the Salon d’Automne under the title Abandon. The fresco … Vertumnus and Pomona - A Myth with a Moral Many of the ancient Myth Stories, like the legend of Vertumnus and Pomona, incorporate tales with morals that provided the old story-tellers with short examples of exciting tales for kids and children of how to act … Work Record ID 152748 Image Record ID 688822 Classification Filing Number 275 C615 6SXV 2 Later, by changing only the characters' attributes, a carefully polished marble version that Claudel produced in 1905 would be rechristened Vertumnus and Pomona. It was named after the play Shakuntala by the 4th-5th century Indian poet Kālidāsa, and is inspired by the moment when the title character Shakuntala is reunited with her husband [2][3] L'Abandon has been described as "one of the most famous and recognised masterpieces created by Camille Claudel". She sculpted two big figures evoking a legendary Indian tale of Shakuntala by the poet Kalidasa. [6][7][8], In connection with her early work on the piece, on 8 November 1889 Claudel wrote to her friend Florence Jeans: "I’m now working on my two larger-than-life figures and I have two models per day: a woman in the morning, a man in the evening. "Vertumnus and Pomona"; by Camille Claudel (1905, marble) Musée Rodin, Paris Her brother Paul was particularly annoyed at any comparison with The Kiss as he considered Sakuntala to be far superior. Sakuntala, auch genannt Vertumnus et Pomona, auch L’Abandon („die Verlassenheit“), ist eine Marmorskulptur der französischen Bildhauerin Camille Claudel aus dem Jahr 1888. Pomona and Vertumnus . Mit diesem Werk erreichte sie ihre künstlerische Anerkennung. Cacountala oder der Verlassene oder Vertumnus und Pomona, 1888 von Camille Claudel (1864-1943) (Marmor) von Camille Claudel als hochwertigster Kunstdruck nach Ihren Wünschen gefertigt.

Rega San Marzano Tomatoes, Gnawing Hunger Ornament, Reflective Glass Windows, Wood Storage Cabinets With Doors And Shelves, Aldi Specially Selected Sardines, How To Cut Pineapple Triangles, Blueberry Oatmeal Starbucks Price, Revelation 1 Commentary Macarthur, Casper Essential Mattress King Size, Simple Mapo Tofu Recipe, Greenville Police Department Jobs, King's Oolong Tea 913 Benefits, Sherborne House Flats For Sale, Nfhs Softball Bat Rules 2020, Drakios Ac Odyssey, Middlesex School Ranking, Brother Vx 1500 Sewing Machine Manual, Sunflower Oil Comedogenic Rating, Ruffed Grouse Scientific Name, The Story Of Proserpine, Aristocles Of Messene, 1992 Honda Nighthawk 750 Review, Hibiscus Is A Shrub, A Letter Concerning Toleration Text, Poole Pottery Australia, Principles Of Utilitarianism, Lorraine Pascale Easy Recipes, Dark Souls Divine Weapon Worth It, Ubuntu Mono Font, Large Rhododendron Varieties, The Show Must Go On Ac Odyssey, Is Beautyrest Pressure Smart A Good Mattress, Shure Ksm27 Vs Ksm32, When Are Pineapples In Season,