१: ओङ्कार पन्जर शुकीम्-उपनिषद्-उद्यान केलि कलकण्ठीम् 6,Sri Ramchandra krupalu bhaj man-Kalyan And your website is a classic example of classics being classics ! *************************************************** Is paar priye madhu hai tum ho us paar na jane kya hoga.. https://www.youtube.com/watch?v=n_cBqBgFAns. http://youtu.be/1dfEtUNn2h0 Uploaded by rc0972 on Aug 6, 2009,  Mugham baat paheli jaisi – A rare old ghazal by Mehdi Hassan It was an excellent Thillana sung by the maestro. So lucid with great accompanied treasures of our musical legacy giving even an uninitiated easy grasp. Mr Bhandarkar, these two are not just similar but almost identical. I apologize in case this song has already been cited in one of the comments above – I haven’t had the time to go through all of them. Coke Studio India had been way behind its Pakistani counterpart till last year, but now it seems to be catching up. I had also inadvertently missed to include the last two stanzas, which has now been inserted above. मेरा प्रश्‍न है – क्‍या रफी साहब का फिल्‍म आखरी दॉव में गाया गया गाना ”तुझे क्‍या सुनाउं मैं दिलरूबा, तेरे सामने मेरा हाल है” राग यमन में है? Ashwin ji; The sequence of melody making is very well explained by SSW ji # 117. It is a Tarana composed by Ustad Ali Akbar Khan and rendered by Ustad Amir Khan. Of course, there are anecdotes that would interest the music buffs but no body would print them on the covers fearing controversies they may raise. More than forty years later I don’t have any lingering fondness for this song. I only wish Pandit Bhimsen Joshi had yielded a little more time to the maestro from the south. *****************My comments in youtube**************** Bismillah Khan has taken an extremely simple composition. Poem recital is beautiful. One can see the octaves dancing with Divine delicacy and rhythm in her rendition. Unlike Sapna ban whose tune sticks with you the first time you hear it, Devta tum ho takes time to grow on you. Listen to the sitar interlude between 0.15 and 0.21 in ‘Phaili hui hain sapnon ki baahen’ (https://www.youtube.com/watch?v=RT7Cpa5cYxc) and notice how it is more or less the same as the sitar interlude between 1.06 and 1.15 in ‘Jiya le gayo ji mora saanwariya’ (https://www.youtube.com/watch?v=QaL6tP3injc). I am attaching a composition in Raag Yaman set to Chowtaal played by Ustad Zia Mohiuddin Dagar and accompanied by Sri Mani Munde. The key to do that effectively is to establish the new ‘sa’ very well, where she lacks a little. Subodh sings only two stanzas. The variety and diversity in his poetry compelled Gurudev to break away from the norms. Venkataramanji pointed out to me through e-mail a mix-up I have committed. ******************* @Raja Pundalik  Ehasaan tera hoga mujhapar – Junglee Most of us know Kishore Da as a singer who wasn’t classically trained, but still ruled (and continues to rule) the heart of millions. E ri aali piya bin is one of the standard classical compositions of Yaman. Stumbled on this page – as i was searching for ‘Chupa lo yun dil mein’ .. WhatASong ! It was a delight to listen to the Aalapanas and Gamakams. Even in Carnatic Sangeet, this Raag is not a very old one and is not mentioned in the ancient books.It is said to have been composed by Late Ramaswamy Dikshitar, father of Late Mutthuswamy Dikshitar. http://mishraraag.blogspot.com/2014/02/hindi-cine-sangeet-ragopaedia.html, https://www.amazon.in/Hindi-Cine-Raag-Encyclopedia-K-L-Pandey/dp/8193434110/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1540274567&sr=1-1-fkmr0&keywords=Hindi+cine+sangeet+ragopedia, This was a site I located accidentally when I was trying to find out who had played the Sitar piece at the beginning of the beautiful melody To disable, switch Autoplay to ‘OFF’ under Settings. Jogan had famous bhajans by Geeta Dutt like Ghunghat ke pat khol re. It is a repeat of TN Krishnan’s piece.  Aapke anurodh pe – Anurodh दृग देख जहाँ तक पाते हैं, तम का सागर लहराता है फिर भी उस पार खड़ा कोई हम सब को खींच बुलाता है मैं आज चला तुम आओगी, कल, परसों, सब संगी साथी दुनिया रोती धोती रहती, जिसको जाना है, जाता है मेरा तो होता मन डगडग, तट पर ही के हलकोरों से जब मैं एकाकी पहुँचूँगा, मँझधार न जाने क्या होगा! I am not much of a lyrics person – i can’t understand that much hindi – but the Ragas enchant me , And the scenes preceding the song bring in the perfect mood. This film was later produced in Hindi, where Girish Karnad played the leading role.The name of the film, if my memory is right, was Swarsangam. Dr Rajam’s violin brings to mind the lofty voice of Pandit Omkarnath Thakur, who was her guru: I close the presentation of film songs in Yaman with one that evokes a mood of pure joy. It brings out the devotional mood of Yaman very well.  Dil e betabko sinese – Palaki I enjoyed both. But it’s list is limited. We have heard a variety of composition in Raag Yaman/Yaman Kalyan and Raagam Kalyani :- Hindi Film songs, Non filmi songs, Hindusthani Sangeet, Dhrupad, Khayal, Thumris, Taranas, Ghazals, Bhajans, Carnatic Sangeet, Thillanas, Tamil popular song, Sanskrit Shlokams, Instrumental music- Shehnai, Flute, Sitar, Violin, Rudra Veena, and even a composition in Military Band! Classical Ragas From India - Raga Yaman (instrumental) Album has 3 songs sung by Ustad Vilayat Khan, Pandit Pannalal Ghosh, Raghunath Seth. That is why you can come up with still many more songs of everlasting appeal in this raga, Thanks bhaiya. I have missed out Ragam Hindolam, which comes after Kaapi. Yaman is the most popular raag among classical music lovers and several Bollywood compositions are based on this evening raag. Uma Several beautiful pieces spring to mind. यौवन वन सारङ्गीम् संगीताम्-भोरुहानुभव भृङ्गीम्।, (रागा: सुरटि) However, trust Indian film music directors and Mukesh to evoke pathos even in this raga. Heard it for the first time and found it very good. The music of Wo Shaam Kuch Ajeeb Thi was composed by Hemant Kumar and its lyrics were written by Gulzar. An actor, director, composer and above all a singer par excellence, it’s difficult to find an artiste with such a wide range of skills. Yaman Kalyan, interestingly, is slightly different, as it uses shuddha madhyam occasionally along with the teevra madhyam of Yaman. करुणा पूरतरङ्गम् कलये मातङ्ग कन्यकापाङ्गम्।, (रागा: सिंहेन्द्रमध्यम्) Therefore it is quite possible that the interlude was an SJ idea in the first place and they merely re-used it in Barsaat. About Pankaj Mullick version of Do naina matware tihare here is a link: Do naina matwrae tihare sung by Pankaj Mullick from My Sister. only two of the brothers are living. But this Angel child of Classic Music is a Divine design. Now it is me to submit my apologies for my delay in in responding to you. Our in-house expert Subodh says it is Shuddh Kalyan. I do have a vague intention of doing a post on Bageshri along with Rageshri and Malgunji. She had learnt the Tillana from Dr. Balamurali Krishna. This is superb. Said to be the sweetest of all ragas, Yaman has inspired some of the most beautiful Ghazals on Indian sub-continent. Bollywood music composers are mostly trained singers and musicians, who mostly compose their music based on some Classical Raag. Mohammad Rafi sings Man re tu kahe na dheer dhare from Chitralekha (1964), lyrics Sahir Ludhiyanvi, music Roshan, Because of its capacity of combining bhakti and shant rasa, Yaman is ideal for recitation of Sanskrit slokas. But I could not find the other two songs “Bindiya Jane kahan Koyi” and “Birahi naina Jogi Bhaye”. Other interesting points about this composition: 1. In fact YouTube also has other songs as well of My Sister in Pankaj Mullick’s voice. I think Mr Bhatia has a good explanation. Songs like Humko Man Ki Shakti Dena, Darshan Do Ghanshyam, Pal Do Pal Ka Saath Hamara are also based on this evening raag named after Lord Shiva. Sraabon* – the second month of the Rains, in Bengal. Thanks a lot. He also has the iconic qawwali Humein to loot liya mil ke husnwalon ne to his credit.

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