Try Prime EN Hello, Sign in Account & Lists Sign in Account & Lists Returns & Orders Try Prime Cart. You're listening to a sample of the Audible audio edition. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. The space exudes a thick, cozy physicality from its layers of fur, rugs, wood paneling and multipatterned linoleum tiles—all of which are richly laden with sensory triggers of a 1970s American rumpus room. In her texturally rich paintings, Mickalene Thomas examines the popular characterization of black female identity, celebrity, and sexuality. Muse: Mickalene Thomas: Photographs: Mickalene Thomas: 9781597113144: Books - Amazon.ca. Ships from and sold by Book Depository CA. Her works, in particular the Odalisque series (2007), have been interpreted as "investigating the artist-model relationship [...] but from an updated perspective of female inter-subjectivity and same-sex desire." Blending both art history and fashion, Thomas’ depiction of 536 West 22nd Street These items are shipped from and sold by different sellers. Skip to main content. Mickalene Thomas (b. After viewing product detail pages, look here to find an easy way to navigate back to pages that interest you. She is represented by Lehmann Maupin in New York, Susanne Vielmetter Los Angeles Projects, and Galerie Nathalie Obadia in Paris. Mickalene Thomasis a contemporary American artist best known for her depictions of African-American women and celebrities through collages of acrylic, enamel, and rhinestones. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Mickalene Thomas explores and expands traditional notions of female identity and beauty through her rhinestone-encrusted depictions of African American women. Mickalene Thomas' photography depict black women, sometimes the artist herself, in highly-detailed outfits and surroundings. Mickalene Thomas (b. No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer. Her work has been included in countless exhibitions worldwide, including at La Conservera, Ceutí, Spain (2009); National Portrait Gallery, Washington, D.C. (2010); Hara Museum, Tokyo (2011), Santa Monica Museum of Art, California (2012); and Brooklyn Museum (2012–13). Solo exhibitions of her work have been organized at The Dayton Art Institute, OH (forthcoming, 2018); Henry Art Gallery, Seattle, WA (forthcoming, 2018); Pomona College Museum of Art, Claremont, CA (forthcoming, 2018); Georgia Museum of Art, Athens, GA (forthcoming, 2017); Newcomb Art Museum, Tulane University, New Orleans, LA (2017); Spelman College Museum of Fine Art, Atlanta, GA (2017); Museum of Contemporary Art, Los Angeles (2016); Aspen Art Museum, CO (2016); Aperture Foundation, New York (2016); George Eastman Museum, Rochester, NY (2014); Brooklyn Museum, New York (2012-13); Santa Monica Museum of Art (2012); Institute of Contemporary Art, Boston (2012); Hara Museum of Contemporary Art, Tokyo (2011); and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain (2009). “I started with my mother and myself,” the artist Mickalene Thomas told me when I met her at the Aperture Foundation in Chelsea on a dark, wet night earlier this week. South Kensington, SW7 2JE London Known for her monumental, rhinestone-encrusted paintings of domestic interiors and female subjects, Thomas identifies photography as playing a central role within her practice. Mickalene Thomas, Portrait of Qusuquzah, 2008.C-print, 70¼ x 56¼ inches., Courtesy of the artist, Lehmann Maupin, New York and Hong Kong, and Artists Rights Society (ARS), New York This was a time of immense social and political conflict, change, and transformation—the civil rights movement, the black is beautiful movement, and the second wave of feminism—during which many women, particularly African-Americans, rejected and redefined traditional standards of beauty. The artist draws inspiration from art history and popular culture, so her imagery is as likely to reference nineteenth-century painting as blaxploitation films of the seventies. The 2016 Aperture publication, Muse: Mickalene Thomas Photographs, is the first to gather together her various approaches to photography, including portraits, collages, Polaroids, and other processes. Though Thomas draws from a number of time periods and genres, her use of pattern and domestic spaces often references various periods throughout the 1960s to the 1980s. (La Leçon d'amour, 2008) She has restaged themes and symbolism with a long lineage in Western art in her references to the odalisquerepresentation of wome… ARTIST Mickalene Thomas is an artist, best known for her paintings made of rhinestones, acrylic and enamel; she also works in photography, collage, printmaking, sculpture and installation art. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. New York-based artist Mickalene Thomas is best known for her elaborate paintings composed of rhinestones, acrylic and enamel. In addition to her paintings, the Brooklyn-based Thomas works in the mediums of photography, collage, printmaking, video art, sculpture and installation art. Thomas participated in residencies at the Studio Museum in Harlem, New York, 2000–3, and at the Versailles Foundation Munn Artists Program, Giverny, France, 2011. Books . Something went wrong. Muse: Mickalene Thomas: P... Mickalene Thomas is amazing. Mickalene Thomas' photography depict black women, sometimes the artist herself, in highly-detailed outfits and surroundings. This volume is the first to gather together her various approaches to photography, including portraits, collages, Polaroids and other processes. Mickalene Thomas, known for her large-scale, multitextured and rhinestone-encrusted paintings of domestic interiors and portraits, identifies the photographic image as a defining touchstone for her practice.

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