The playing of Scott LaFaro and Bill Evans is exquisite. A newcomer, though, would be better-advised to sample Evans in smaller doses. Bill Evans, Sonny Rollins LPs Reinforce the Record Store Day/Resonance Jazz Connection, as Producer Zev Feldman Collects a Grammy Nod Read full article Chris Willman Born in Plainfield, N.J., in 1929, Evans grew up watching his mother and older brother play the piano. Alas, LaFaro died in a car accident shortly after the Village Vanguard date, a monumental loss to music that devastated Evans. Enter Bill Evans. During his over twenty-five year recording career, he changed the approach to the sound of the piano itself in jazz by his touch, and his attention to pedaling, phrasing and dynamics. He recorded over fifty albums as leader and received five Grammy awards. He also tried to democratize the role of the bassist and drummer in his succession of piano trios, encouraging greater contrapuntal interplay. For over FIFTEEN YEARS, this website has been dedicated to the life and music of pianist and composer BILL EVANS (1929 -1980), one of the most important and influential musicians in all of jazz … List of sessions by recorded date & location: Bill Evans Discography - session index Evans advanced harmonic jazz playing with a modality and challenging intervallic relationships which can be attributed to the combination of his training as a “classical” pianist and bebop vocabulary from his primary bebop influence, Bud Powell. Bill Evans and his due are due to play the Montreux Jazz Festival on 20th July. At the other end of the emotional spectrum is “Waltz for Debby,” a song reminiscent of Rogers and Hammerstein with its bright and bouncy theme. After three years in the service, he arrived in New York in 1954, playing in Tony Scott's quartet and undertaking postgraduate studies at Mannes College, where he encountered composer George Russell and his modal jazz theories. On Ken Burns' Jazz documentary - and BILL EVANS: ALSO CHECK OUT OUR READERS' RESPONSES TO THIS ARTICLE --A commentary by Jan Stevens (Pianist and webmaster) Looking at the overall picture, it seems reasonable to say that Ken Burns' 19-hour "Jazz" series was a cultural and marketing triumph. Apr 21, 2013 - Explore Jeremy Manasia's board "Bill Evans" on Pinterest. Enter Bill Evans. Graduating as a piano major in 1950, he started to tour with the Herbie Fields band, but the draft soon beckoned, and Evans was placed in the Fifth Army Band near Chicago. Bill Evans's brilliance as a pianist and influence on a generation of jazz players makes this four-disc set a must, writes Dave Gelly Published: 7 Jul 2012 Bill Evans: The Way to Play – review Bill Evans Jazz Chords Lesson and Video. Completed in 1956, the Liederhalle was and is considered one of Germany's most extraordinary arts buildings of the 1950s. Along with McCoy Tyner and Oscar Peterson, he was the force behind the biggest evolution in jazz piano since Art Tatum and Bud Powell. He performed at the Liederhalle as part of the Treffpunkt Jazz Festival. Find Bill Evans bio, music, credits, awards, & streaming links on AllMusic - Virtual king of the modern jazz pianists who… History. Bill Goldberg: And [in] this portion of the Miles Davis Festival, we’re fortunate to have with us pianist-composer Bill Evans, and Bill was with Miles in the late ’50s, and he was on that classic recording Kind of Blue, which is still probably one of the best-selling jazz records. Bill Evans, American jazz pianist known for lush harmonies and lyrical improvisation, one of the most influential pianists of his time. Listen to how LaFaro adds accents to Evans’ melody in his instrument’s upper register, sometimes seeming to be the pianist’s third hand. Evans wrote originals steadily throughout his career, and a handful of his tunes eventually became standards. One of these was “Flamenco Sketches” from Miles Davis’ Kind of Blue, and another was “Peace Piece,” a solo improvisation over the vamp that takes up nearly seven minutes of Everybody Digs Bill Evans. William D. Evans (born February 8, 1958) is an American jazz saxophonist, who was a member of the Miles Davis group in the 1980s and has since led several of his own bands, including Push and Soulgrass. It is one of the most energetic Bill Evans records that I've heard, which may have been a result of his youth, especially if you compare it to "Everybody Loves Bill Evans" which is also a fabulous record but a bit more typical of the introspective Bill Evans style we all know and love. As remarkable as the trio’s studio dates were, the best showcase for their interplay was cut live at New York’s Village Vanguard in June 1961. Save my name, email, and website in this browser for the next time I comment. “Turn Out the Stars” is an aching ballad Evans’ regularly returned to throughout his career, and you can hear a terrific early version on Intermodulation, his 1966 duo set with guitarist Jim Hall, a kindred spirit. The same concert also produced the album You're Gonna Hear From Me Some give the piece a languid treatment, but Evans and Hall find joy in a rhythmic give-and-take, where one player will present a phrase as a question that the other answers. “Midnight Mood” is a wistful highlight from Alone, Evans’ first album of solo piano, without overdubs. Evans was the pianist on Miles Davis’ landmark album Kind of Blue, and in his autobiography, Davis includes an oft-quoted remark that sums up Evans’ sound particularly well: “Bill had this quiet fire that I loved on piano. Whenever I want to learn some new chord stuff I tend to turn to Bill Evans for inspiration. As great a composer as Evans was, much of his most fascinating work came from his lifelong study of standards. List of sessions by recorded date & location: Bill Evans Discography - session index Virtual king of the modern jazz pianists who forged a gentle style of his own from the 1950s on. Your email address will not be published. Adderley has an intuitive grasp of the tune and his voicing of the melody is sunlight rendered in sound, and Evans reaches new heights with his solo. Bill Evans, Sonny Rollins LPs Reinforce the Record Store Day/Resonance Jazz Connection, as Producer Zev Feldman Collects a Grammy Nod Read full article Chris Willman Each hand works independently, and he sounds like his own band. There is no more influential jazz-oriented pianist -- only McCoy Tyner exerts nearly as much pull among younger players and journeymen -- and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau. Through Bill Evans, Jazz’s harmonic vocabulary expands. Jazzhouse is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until the 1980s on the Milestone label. Bill Evans was a diligent student of American popular song, but he also had a deep interest in classical composers, including Chopin and Debussy. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.” The beauty that Davis describes was present from Evans’ work early until the end.
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